The Twilight Zone | Nona Fernández

The Twilight Zone

£10.99

Translated from Spanish by Natasha Wimmer

Published July 2022
ISBN: 9781914198212
Format: Paperback

Also available as an eBook:
9781914198229

Finalist for the 2021 National Book Award for Translated Literature

It is 1984 in Chile, in the middle of the Pinochet dictatorship. A member of the secret police walks into the office of a dissident magazine and finds a reporter, who records his testimony. Our narrator was a child when she first saw this man’s face on a magazine cover with the words ‘I Tortured People’; his complicity in the worst crimes of the regime has haunted her ever since.

Through extraordinary feats of the imagination, Nona Fernández follows ‘the man who tortured people’ to places archives can’t reach, into the sinister twilight zone of history where morning routines, a game of chess, Yuri Gagarin and the eponymous TV show of the novel’s title coexist with the brutal yet commonplace machinations of the regime.

How does one resist a repressive regime? And who gets to shape the truths we live by and take for granted? The Twilight Zone pulls us into the dark portals of the past, reminding us that the work of the writer in the face of historical erasure is to imagine so deeply that these absences can be, for a time, spectacularly illuminated.

‘Masterly.’ Times Literary Supplement

‘Wildly innovative, a major contribution to literature.’ New York Times Book Review

‘There is an incantatory quality to Nona Fernández’s The Twilight Zone, a feeling of walking, as though under a spell, and then accidentally tripping into the murky unknown.’ Paris Review

‘Nona Fernández helps us glimpse the horrible reality of torture – and the even more terrifying way it becomes routine – in luminous prose of great intelligence and obsessive sincerity.’ Fernanda Melchor, author of Hurricane Season

‘Unflinching, uncompromising, unforgettable. Brimming with lucid, unhinged poetry.’ Sue Rainsford, author of Redder Days

‘Fernández has found an answer to an urgent question: making art is inadequate always, but powerful nonetheless.’ Claire Messud, Harper’s Magazine